I am happy to share my Limbo Radio Mix #006. It’s a mix of left-field electronica and more straightforward techno and house tracks featuring some Manchester talent. It my first mix I recorded using my new setup and a way of discovering and incorporating all the undiscovered tracks in my music collection.
I hope you enjoy!
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Tracklist:
Lanark Artefax: Touch Absence
Clemency: Biblical Names
Hanzo: South Manchester Jet Ski Club 1
Korzi: Blue Skies & Itchy Eyes
Leftfield: Afro-Left
Orbital: Lush 3-3 (Underworld)
Means & 3rd: Monark’s Dream
Detroit Great Pubahs & Frankie Bones: The Truth (Original Mix)
Installation/commission for whatstick theatre using video submissions of people filming the landscape outside their window and talking during lockdown (May 2020) as part of Project ISOLATE.
Installation #15: Film the view from your window. Talk to us.
Sound Design – Markus Hetheier Video Edit – Bella Probyn Curator – Georgia Brown
Thanks to participants: Mary Morris Fenella Norman Laura Dalby Sass Holmes Tilly Jackson Andy Smith Molly Smith-Bugge Duncan McCombe Ella Kay Gail Green Ottilie Nye Chris Kent Lisa Kay Em Butler Emmelie Dryburgh
I live streamed this DJ Set on Twitch from my living room to celebrate the release of ‘Air and ‘Reform’ – you can listen to the audio recording of this DJ set on Mixcloud.
My second single ‘Reform‘ is out now on all online music platforms. Whereas ‘Air’ uses field recordings of rain and explores windy and airy themes, ‘Reform’ contains field recordings of Manchester’s construction sites and comes with industrial sounding drums and broken beats echoing urban spaces. Volker Schütz contributed an artwork that serves as polar twin to the ‘Air’ artwork. This is why I decided to release both songs in succession and shortly after one another. I hope you enjoy the contrast in sound and image! X
I recorded this live set in my living room. It starts with my first single ‘Air‘ (out now on all streaming platforms/in all online stores) and closes with my upcoming single ‘Reform‘ (out on the 5th of June). Whereas ‘Air’ comes with a windy and fluffy instrumentation and field recordings of rain, ‘Reform’ contains broken beats and industrial sounds combined with field recordings of construction sites echoing urban spaces. I also played a few unreleased songs.
I am happy to announce that my first single ‘Air‘ is now available on all streaming platforms and in online stores. The song contains field recordings of Manchester’s rain and comes with a light and fluffy instrumentation. Volker Schütz delivered the artwork for which the wonderful Hanna Sprengel stood model. I would recommend listening to ‘Air’ in the sunshine, in your garden or local park, and just zone out for a bit. Happy spring! X
I wrote a blog for Contact about how the electronic music scene sticks together as a community through the world wide web. Have a read, hope you enjoy. X
Often people associate Germany, my home country, with electronic music. However, I grew up in a more rural part in the Southwest of Germany near the French border where there are not many opportunities to develop oneself artistically.
When I moved to Manchester over two years ago, one of my missions was to develop my skills as an electronic music producer and to connect with like-minded people.
I studied at the School of Electronic Music and started going to club nights, such as Kiss Me Again and Bollox. I started producing and performing under my stage name Industries. I was drawn to the idea of community and people operating in a DIY ethos that is based on the principle of necessity. Whenever I needed help with my productions, I could ask my friends from the School of Electronic Music. Over time and through being out and about I have met a couple of producers and DJs in the scene who became friends and some even collaborators. In each case, building a friendship and community has always been more important than a product that might come out of a collaboration.
One thing that we all have in common is that we are juggling different responsibilities: some have multiple (part-time) jobs, some are freelancers (and might have a part-time job), some have family, some are still in education. With the coronavirus crisis, the event industry is struggling hard and many friends of mine have lost a lot of work and money. But if not at events, where do we meet now to sustain our community and support each other in this difficult situation? Here are a few examples of how electronic music lovers have used the world wide web to connect with one another, share their passion and help others out.
Many clubs, record labels, producers and DJs started live streaming to audiences at home.
In Berlin promoters, clubs and artists have created the world’s largest virtual club #UnitedWeStream streaming daily from different night clubs in Berlin.
Some companies and producers started giving away freebies for music production: Legowelt offers a Quasimidi Sirius sample pack based on a German digital synthesizer from 1998, on Synthtopia you can download free modular synthesizers, Korg has made the iKaossilator available as app for iPhone and iPad
German ambient artist Hainbach put his very own sample pack Isolated Loopson Bandcamp and you can pay what you want.
Bandcamp weaved all their fees for one day so that 100% of the income went straight to the artists, which came to over $4,300,000 in total
In one Facebook group I am in, one of Manchester’s finest DJ collective uploaded unreleased demos from their upcoming EP to keep us dancing while being at home
Limbo Radio, arguably Manchester’s best underground radio station where I have played a few times, moved from their studio space and asked associated producers and DJs if to record sets form home to keep the music going.
I am also part of one Facebook group that has the mission to save the scene – here people are actively naming problems the current situation causes, needs that we have and what we demand the government to provide in response.
All the above examples show that, despite the electronic music scene being in a very precarious situation, members of the scene ranging from software companies, labels, promoters, club owners to producers and DJs come together in digital spaces to connect, share music, software, ideas, and have constructive discussions on how to move forward to ensure our future. I know that things are not easy now, but I also feel excited for the future and all the good things to come out of this situation!
Hey fellow music lovers! I’m happy to share my last Limbo Radio show that I did with Antoin Lindsay (Kiss Me Again) — we went crazy, moving from 80 bpm to 160 back, forth, and in between, a joyous journey! It was so much fun, hope you like it. X
Caribou: Sister
Four Tet: Daughter
Jay Glass Dubs: Magazine Dub
Low Jack: More Speed
Howes: Green Lense
Rainer Veil: FM 2
Pearson Sound: Gambetta
Telefon Tel Aviv: Sound In A Dark Room (Bassnectar Remix)
Metrist: Auld Flaurist
Bfft: Like
Klein: gaz city
Bulma: Ronin
Sikka Rymes: Shake Ya Body (Fission Riddim)
Jlin: Carbon 7
Itoa: B 2the B (160 bpm)
Foodman: Mosquito & Clap
Dj Nate: Footwurk Homicide
DJ Marfox: 2685
Marie Davidson: Workaholic Paranoid Bitch
Marie Davidson: So Right
Ondo Fudd: The Mess
Cassie: Me & U (Mickey Pearce’s Mickey Luvs Cassie Remix)
Yardman Riddim ft Jamakabi: Concrete Jungle (Beneath’s 350 Remix)
Thank you Stadtschenke a Choperia for letting me deejay for 4ish hours last Friday. I went to this bar since I was a teenager and it was so much fun. I started with some ambient tunes and then gradually moved to more beatdriven electro / techno / house / electronica tracks as the night went on and on.
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Pictures by Volker Schütz except last picture which was taken by Wilfredo Torpedo.